This is a really above average, minuscule budget horror anthology from the UK. I've watched a lot of indie horror movies in the past year and I've developed a useful way of thinking about them. What you're looking for is the ratio between production values and apparent budget. I'm not saying that a film with low production values—such as, say, Sledge—can't be good, but I think in general what you're looking for is a film that feels like the creative team behind it is giving their utmost to. That's the case here. The three stories are all extremely strong. The first, The Ripper, was probably the weakest of the set, but still quite good. Stitch Girl is my favorite, an amazingly well crafted piece of work featuring the unforgettable face of Eleanor James and her miraculous eyes, which are wide and deep as the Great Lakes. The final piece, Vice Day, is a surprisingly mature piece that draws horror from a tale of political scandal. The weakest part of the film is the framing narrative with Natalie Milner as Madame Raven, and the thing that hurts it most is Milner's costume, too much like a child's Halloween witch costume. But don't let that keep you from checking out a truly excellent piece of horror. This movie deserves to be seen.